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    Adam Clark&#;s Billboard Bandits: Outlaw Artists in the Sky, published this year, is  pages of photos, entry level information on graffiti culture (i.e. What are throw-ups, pieces, and billboard backs?), profiles and personal anecdotes in the vernacular of true writers (which includes explicit language).

    The book is divided into two sections by graffiti and street art, with &#;Billboard bombing&#; representing the graffiti camp of billboard interference, which seems to be a bit looser in definition given that many of the pieces were not on the ads directly, but above, below, on the walls behind, or on the backs of billboards.

    The street art portion, entitled &#;Billboard Liberation&#;, is a lot more limited in coverage but profiles some street art favorites like Ron English and Billboard Liberation Front. Clark&#;s distinction between the two subcultures is a necessary one for this topic since the motivation behind hitting billboards is entirely different: graffiti artists use